Interdisciplinary Projects


O. (2002)

A time-line was the only direction the video artists and composers had during the performance, making the experience personal and unique for both the performers and the audience.


O. (2002)

 

 

In the project 0. (zeropoint) 2001, I staged in cooperation with Arnoud Noordegraaf a performance featuring ten concert pianos, five composers (Arnoud Noordegraaf, David Dramm, Cor Fuhler, Yannis Kyriakides, Marko Ciciliani) and five video artists (Iris Hoppe, Nynke Deinema, Oliver Schwabe, Jean-Pierre Sens, Hermelinde Hergenhahn), surrounded by giant video screens in Paradiso, Amsterdam (floorplan).
The performance offered a spectacular “Gesamtkunstwerk” of images and music created by the interaction of video artists and musicians who reacted to the expressions of the each other in real time.

Europealis - Meeting Point (2001)

Seven speakers form a three-dimensional audio environment within a counterpoint of three video screens.
Such is the setting of the videophonic soundscape Europealis - Meeting Point.


Europealis - Meeting Point (2001)

The co-composition leads you into an acoustic environment of european languages, live-generated electronic and acoustic sounds - surrounded by videosequences of daily encounters between people in various public spaces. The soundscape creates a multilayered field of possible comments on the cultural identities of the protagonists - while the video-installation offers several surfaces to project these comments .

The flow of sound and video is tuned to a mathematic transformation of the European degrees of latitude projected on a timeline. These time intervals form the framework of the whole setting. The individual works of the artists integrate into the chosen timestructure and become subordinate to the crossover collaboration, developing a non-linear three-dimensional environment.

home | reviews